Call Me George scottdetwiler com Going for the Wide Angle

George? George who?

Today’s One Picture a Day project was all about the wide angle. I had my trusty Nikon 18-55mm AF-S DX VR kit lens pulled full out (in?) to 18mm, and left it there to see what I could do in the wide angle department on a short walk. It was late in the afternoon on a winter’s day, with some sunshine, though that was hit or miss. We’re posting several shots this time to demonstrate some uses for the 18mm.

Beechwood Meadow Winter scottdetwiler com Going for the Wide Angle

Beechwood Farms Nature Reserve Meadow in Winter

18mm is not really all that wide, especially on a DX lens. The 1.5x crop factor means the field of view is more like 27mm on a full frame. Wide, but not breathtakingly so. Nikon, for some reason, only makes really expensive or really rare wide angle lenses. I would love a wide prime for DX, but that does not appear to be in the offing. The best wide solution for DX seems to be the Tokina 11-16mm f/2.8 Pro DX Digital Zoom Lens – Nikon Going for the Wide Angle; the cheapest model has no focus motor at $599. Nikon makes a Nikon 10-24mm f/3.5-4.5G ED AF-S DX Nikkor Wide-Angle Zoom Lens Going for the Wide Angle, but it’s even more money. I have not used either lens. I have to make due with the 18-55mm for $100. But I think the 18-55 is quite capable for that $100.

Rotting Maple scottdetwiler com Going for the Wide Angle

Rotting Maple

All the photographs in this series are taken at 18mm. I have some panoramas. But I also was taking the advice to heart that a wide angle is not just for panoramas with details in the distance. It’s also for filling the frame with one subject with which you grab the viewer by the nostril hairs and reel them into the picture. So, I have a few of those close-ups, too. The 18-55mm focuses pretty close; I’m only about 12 inches or so off the subject in “Rotting Maple.”

Mighty Oak scottdetwiler com Going for the Wide Angle

Mighty Oak

An additional tweak I did on one photograph, the “Beechwood Farms Nature Reserve Meadow in Winter” image above, was to use PTLens to remove distortion. I used it there because, well, I only have a few more times left on my free trial, but I burned one free time on that image because the signpost was noticeably bent. It did a very nice job.

 Going for the Wide Angle
Planetree in sunset scottdetwiler com Plane Tree in Sunset Light

Plane Tree in Winter Sunset

I don’t expect to win any composition awards with this photograph. What was I trying to capture was the pleasing warm light on the white bark on this plane tree (an ornamental in the same family as the American Sycamore.) I saw this light was I was leaving work. I did not have time to seek a better vantage point. And this kind of light is notoriously uncooperative; by the time you do get the perfect angle, the light is gone. So, I decided to just fire away with the camera to capture that light, and forget composition. The wires are distracting, I know. But I do think the warmth on the tree was captured well, or at least reflects what I was seeing in my mind’s eye. The darker trees around it, and the shadows on the lower trunk of the plane tree serve to make the warm sunset-lit areas stand out. You, as the reader, may not be as impressed, but I guess you had to be there.

I took this image with a Nikon D90 and the best cheap wide angle Nikon lens, the Nikon 18-55mm AF-S DX VR. This lens has been pretty much welded to my camera lately. When I don’t know for sure what I am going to be photographing, I put this lens on. At least it’s that way in winter; in summer, when flowers and insects abound, you are more likely to see me with may favorite cheap macro lens, the Nikon Micro-Nikkor 60mm F2.8 AF. This is on program setting. In post-processing in Aperture, I did tweak the saturation and vibrancy a little, but without boosting the color past what I recall the original scene. I’m not entirely convinced I have the saturation right, but I can always go back to fiddle. Yay digital!

 Plane Tree in Sunset Light
Sea Nail Aperture scottdetwiler com Glowing Shell II: Aperture View

Sea Snail, aperture side

We returned to our large sea snail shell for this One Picture a Day. Our One Picture a Day project uses the equipment featured in our Best Cheap Nikon Kit page.  We create at least one new photograph to post about each day. They can all be viewed in the Gallery. We photographed this shell from another angle a few weeks ago. The shell is lit by an intense LED flashlight held to the underside of the shell.

As before, we used the same LED flashlight. We again used gaffer’s tape to secure the flashlight to the shell. We again photographed in a dark room; the LED flashlight is the only source of light here. We used a 60mm Micro-Nikkor f/2.8 AF, which has excellent optics plus close-focus ability. For more about what we like about this 60mm, see our full review.

The previous session was all hand-held, both subject and camera. Today we improved the process slightly. We placed the camera on a tripod, a stroke of genius I must say. The subject we propped up on a tabletop, of all places. A little more gaffer’s tape completed the set-up. This allowed us to keep depth of field by shooting at a higher aperture, while also able to lower the ISO significantly low to reduce grain. The final image is ISO 400, f/11 at 1/8 of a second; in our handheld shoot a while ago, we had to shoot at ISO 5000 to keep the shutter speed 1/60 sec at f/11. The result is a smoother photograph. However, we were shooting a different angle before, so it’s not completely comparable. The only post-processing beyond the normal was that I brushed out a little bit of the flashlight housing that appeared at the bottom if the image.

I do not know the species of the snail. It is relatively large, about two inches in diameter. I can’t say I know where it comes from; I think I inherited it in a box of curiosities from someone’s vacation, picked up at an estate auction.

 

 Glowing Shell II: Aperture View
Bronze Quarter scottdetwiler com 014 Macro Photography: Bronze Quarter

Bronze Quarter – Macro Photography

I pulled out the Merax One Shot Photo Studio again for this macro photography of a weathered coin. I wasn’t interested in taking a lot of time for this. I set up the studio against the wall. I stuck the coin to the wall with a bit of tacky putty. I laid the studio so that the white fabric sides diffused the light from the lamps. The top was open to the room. I used my SB-600 Speedlight with an alcohol bottle diffuser. A cheap, but effective macro photography studio.

Coins are popular subject for macro photography. They are good for pixel-peeping, for seeing minute flaws in lens quality. Today I just wanted to photograph this interesting coin. It had the bronze cast when I found it. I picked it up off the ground in a park. Actually, it was on top of the bit of sand I used last week for a texture shot. The coin itself is only about ten years old. I have no idea how much of its time it spent on the ground. It has an ancient look that I found intriguing. Other than brushing off the sand, I have not altered the coin. The coin to the naked eye has more of a gray tone; in my studio lighting it picked up a warmer, more brown-bronze tone. In post processing, I chose to keep the tone on the warm side.

This photograph is ISO 800, F/5.6, 1/60 sec, -1.0 EV, with flash fired. I set the camera on vivid, though I shot RAW so that was editable afterward. I like to keep things on the vivid side. Probably a side-effect of the minor color-blindness I recently discovered. I used my Micro-Nikkor 60mm f/2.8 AF, one of my best cheap Nikon photography favorites; this 60mm is the best cheap Nikon macro photography lens. The photographs in this blog gallery are taken mostly with the equipment I feature on our home page.

 

 Macro Photography: Bronze Quarter
Soft Sky scottdetwiler com Soft Sky in a Winter Sunset

Soft Sky

I enjoy photographing the sky. Blue sky in particular. Really blue skies, the kind you get with a polarizing filter. Today was not a good day for blue sky. It was cloudy most of the day. However, as I went out for my One Picture a Day journey, the cloud deck shattered for just a few moments. I had been walking around for some time looking for that One Picture for the day. I’d just photographed the heck out of a brown leaf somewhere. On my way back home, I looked up and there it was. In the light of a late-day winter sun, very wispy low clouds with a hint of pink opened up to peeks of blue. I did not have my polarizing filter, which was good. This sky was all about pastel, and polarizing filters don’t do pastels. The picture actually has a false quality to it, as though it were generated by a software program, or even painted. But it’s not.

Post-processing the Sky

In post-processing I did bump the blue up a little, just to bring the definition to the clouds as I remember them in my mind’s eye. I was a little surprised to notice a good deal of noise, though. I shot at ISO 250, so noise should have been minimal. I think the noise is probably emphasized by the simple color palette. I also had a blemish that I’ll need to sort out, either on the lens or on the sensor. Aperture retouched the photograph handily.

This was taken with a Nikon D90, and a Micro-Nikkor 60mm 2.8 AF, with a Hoya Haze 1A filter. The Micro-Nikkor is a macro lens, but I find it to serves well as a walk-around lens. On the DX D90, the crop factor makes in a 90mm, so it’s a little on the long side–wide angles are out–but it’s easy to fill the frame with closer subjects.

 Soft Sky in a Winter Sunset

AF Nikkor 70 300mm f4 5.6D ED photomiser.com  Best Cheap Nikon Telephoto Zoom Lens

For a while I owned the 18-135mm Nikon telephoto zoom, then the Nikon 18-200mm VR. The most interesting pictures with any zoom, are usually used either full wide or full telephoto. But 135mm or even 200mm is just too short to be exciting for telephoto. It’s too short to bring wildlife up close, even too short to get good sporting event shots. So, I sold these, and for the same price as one 18-135mm, I got both the 18-55mm above and the Nikon 70-300mm f/4-5.6G AF Nikkor. Indeed, for the price of the 18-200mm, I could get all three of the lenses I have in my kit now, with another 100mm in reach and full macro. You can never have enough reach though, so even the 300mm is not as good as it may sound…but anything longer is another $800.

Song sparrow crop scottdetwiler.com  Best Cheap Nikon Telephoto Zoom LensSong Sparrow
Nikon 70-300mm f/4-5.6D ED AF Nikkor at 300mm (cropped)

Unfortunately, the 70-300mm G was a disappointment, being very soft at worst and mediocre even stopped down. (Read the full review of the 70-300mm G in our Cheap Nikon 300mm Zoom Lens Comparison). I have since replaced it with the Nikon 70-300mm f/4-5.6D ED AF Nikkor. The Nikon 70-300mm f/4-5.6D ED AF was the last “prosumer” 300mm zoom before the AF-S and VR era. Like most zooms in this category, best results with the Nikon 70-300mm f/4-5.6D ED AF past 200mm are achieved stop down a stop or two, but my copy seems pretty good even wide open. Certainly much better than the 70-300mm G. Optically, it’s on par with the newest 70-300mm VR, but lacks the VR and AF-S…and the price tag. It’s discontinued; a few new ones are still floating around at absurd prices, but’s readily available used for $200. It needs an on-camera focus motor.

Affordable Telephoto Alternatives

Nikon has a lot of options for telephoto zooms that reach to 300mm. Unfortunately, according to reviews, all of them do well up to 200mm but begin to weaken to varying degrees when wide open. This mostly mitigated by stopping down to f/8 or f/11. Since we have this focal length in the kit because we want that 300mm, this is less than ideal, but it takes $1000+ pro lenses for anything better. Note that only lenses designated “AF-S” will focus on cameras like the D40, D60, D3000 and D5000 series.

  • I cannot recommend Nikon’s cheapest 300mm zoom, Nikon 70-300mm f/4-5.6G AF Nikkor. My copy was unacceptably soft. The price is tempting, though. You might be luckier in quality than me. This lens refurbished is $100, new less that $150. Note that you will need pin-drive focus on the camera.
  • Nikon 75-300mm f/4-5.6 AF. This classic from the before the digital era is a good quality lens, but available for under $200 used. It’s the old style “push-pull” zoom. It requires a pin drive. It has a very solid feel, and is overall very sharp. Stop down to f/8 when you can, but even wide open it’s acceptable. I owned this one briefly, as an initial replacement for my poor 70-300mm G. I swapped it when I got a good price on the Nikon 70-300mm f/4-5.6D ED AF Nikkor, which is a little lighter, a little shorter when not zoomed, and to my eye very similar in image quality. Optically, there’s nothing wrong with the 75-300mm, and if you’ve got access to one for a good price, use it with confidence.
  • Nikon 55-300mm f/4.5-5.6G ED VR AF-S DX Nikkor $350 new. Focuses on any camera; the only DX in the group. At these longer focal lengths vibration reduction really shines. If telephoto is your passion, this is the least expensive 300mm zoom with VR.
  • Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR Nikkor $600 new, $450 refurbished, $375 used. Top of the line in the sub-$500 price range. Focuses on any camera. In these long focal lengths the VR really becomes useful.

If you can do without the extra reach, the Nikon 55-200mm f/4-5.6G ED IF AF-S DX VR has vibration reduction and is less than $200 new, or about $150 used. It’s another high-quality sleeper that is included in retail kits, so they are inexpensive new and easily obtained used. On the other hand, while the various 300mm can be uncertain past 200mm unless stopped down, at least you have the 200mm to 300mm to work with. The first time you photograph any wild animal you’ll have the 55-200mm cranked out to 200mm and be crying for more. I certainly was with the 18-200mm I owned for a year. I’m inclined to upgrade to a better 70-300mm than move to the 55-200mm.

Of course, there is the almost-everything Nikon 28-300mm f/3.5-5.6G ED VR AF-S Nikkor. But then we’d have $900 in one lens, still need something for macro, and would be unimpressed by the mere 28mm wide angle, especially on a DX camera.